Step inside Emily Eerdmans' design laboratory, a unique live-work space in the heart of New York City's West Village, and prepare to be captivated by its whimsical charm and artistic flair. This hidden gem, once a secret among design enthusiasts, has now emerged as a vibrant destination, offering a delightful blend of art, antiques, and a one-of-a-kind living experience.
A Design Historian's Leap of Faith
Emily Eerdmans, a renowned design historian and author, took a bold step during the pandemic by moving into a suite of rooms above her expanding gallery. Her decision was inspired by the iconic style icons Madeleine Castaing and Henri Samuel, who also worked from home. For Eerdmans, it was an opportunity to transform her environment into a living, breathing work of art.
Decorating an Unusual Space
One of the challenges Eerdmans faced was decorating an entrance hall with no windows. Instead of trying to brighten the space with light colors, she embraced the darkness and had a stroke of genius. She commissioned murals inspired by Christian Bérard, featuring emerald and lime green, gold, and aubergine. The result is a stunning display of stylized faux boiserie, adding instant architectural gravitas and a touch of whimsy.
A Vibrant Salon
As you ascend the stairs, you're greeted by a bright and lively salon. This space serves as a dynamic gallery, showcasing a rotating inventory of antiques and art. The lime-lacquered walls provide a vibrant backdrop, while tasseled shades and monumental palms create a soft and inviting atmosphere. It's a delightful contrast to the dark entrance hall, offering a refreshing shot of pure caffeine.
The Aubergine Living Room
In the private quarters, a cozy aubergine living room emerges. The room has been transformed with lacquer, erasing corners and creating an ambiguous sense of time and place. It's a nod to Eerdmans' mentor, Mario Buatta, the 'Prince of Chintz,' who interpreted the English country-house look for American tastes. Eerdmans' space feels like a modern-day homage to Buatta, with a touch of 1990s London thrown in.
A Return to 'Pretty' Decoration
For some in the design world, Eerdmans' work represents a return to 'pretty' decoration, a charming contrast to the digital age. Her use of bows, inspired by Buatta, has proliferated on Instagram, but Eerdmans decorates in three dimensions, creating atmospheres that go beyond beautiful photos. Her husband, Andrew, describes the sitting room as a lovely space for sitting, a place that brings happiness and joy.
A Showcase for Talent
Eerdmans' design laboratory is more than just a beautiful space; it's a showcase for the artists and craftspeople she represents. The garden, designed by Thomas Eckardt, is an enviable slice of the Cotswolds, offering a peaceful retreat within the urban jungle. Eerdmans' passion for supporting talent is evident, and her space is a testament to the power of artistic expression.
An Unfinished Work of Art
As Eerdmans chats in the garden, it becomes clear that her project is an ongoing journey. The garden has just been planted, and she's excited about the future. With exhibitions coming and going, and visitors ebbing and flowing, Eerdmans embraces the idea of change. Her space is a dynamic work of art, always evolving and inviting visitors to step inside and experience the joy of design.
